Lully, examples of a dramatic gesture in the music of the Baroque period. Her research focuses on 17th century French music and its relationship with Italy, rhetoric, the staging of speech and musical gesture in the scenic forms of the Baroque age: “When music contains dramatic gesture or the composer as director of speech: the work of Marc Antoine Charpentier and J. Passionate about the popularisation of music, she hosts and records a weekly music programme “Contrepoint” on RCF (96.8 and podcast), the numbers of which are placed on the “You Tube” site “Contrepoint La Musique-Annick Fiaschi-Dubois”. Charpentier which won the ADRERUS Prize (Best European thesis in Humanities), then spent a year as a Lecturer at the University of Oxford (School of Music) and another year at the Villa Médicis as a Resident Art Historian, she is also a Chevalier des Arts et Lettres. She defended a thesis in Musicology on the Sacred Stories of M. Mozart Piano Concerti: First steps in Cadenza CreationĪnnick Fiaschi-Dubois is a lecturer at the University of Côte d’Azur. (“The Magic Flute”, between traditional and unconventional)
„Flautul fermecat”, între tradițional și neconvențional (Mozart for Children – Landmarks in Romanian Cultural Life (1970-2020))ĭesigning and Presenting a Magic Flute for Children Mozart pentru copii – repere în viața culturală românească (1970-2020) A fresh look at two of Mozart’s most cherished keyboard concertos Mozart, héritier de la tragédie en musique
Gheorghe Dima National Academy of Music, Cluj-Napoca
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